DECEMBER AT KAAITHEATER | when dinner tables become stages

Belgian premiere of Anne Teresa De Keersmaeker/Rosas - Simon Allemeersch and his grandfather as refugee - Rimini Protokoll invades private homes - Six-course meal with Bojan Djordjev - Premiere of Eva Reiter/Ictus

We get ready for the end of the year with the Belgian premiere of Anne Teresa De Keersmaekers. Simon Allemeersch & Globe Aroma reconstruct the story of a man fleeing a war on foot – more relevant now than ever. The productions of Bojan Djordjev and Rimini Protokoll serve you dinner for body and soul. And Eva Reiter and Ictus add music to the December programme with their new concert.

Speaking dance, dancing speech

We start December with the Belgian premiere of Die Weise von Liebe und Tod des Cornets Christoph Rilke. Choreographer Anne Teresa De Keersmaeker approaches Reiner Maria Rilke’s sensuous fever dream as a musical score in a duet in which she dances herself.

A man flees a war on foot

During the First World War, the theatre-maker Simon Allemeersch’s great grandfather deserted. He fled on foot to the Netherlands, where he was imprisoned in a military camp. While there, he earned his keep as a letter-writer for fellow prisoners. Allemeersch attempts to reconstruct his story together with a group of contemporary refugees, all actors, makers or musicians at Globe Aroma in De brievenschrijver/Letter home.

Theatre in living rooms across Brussels

In Home Visit Europe, the Berlin-based theatre collective Rimini Protokoll juxtaposes the rather abstract idea of a European federation with the individual nature of a private home. After cities as Amsterdam, Copenhagen and Bergen, they are now invading the living rooms of Brussels. No unknown territory as only last year they were here too as one of the headliners of Kunstenfestivaldesarts.

Theatre at the dinner table

The Discreet Charm of Marxism serves ‘food for thought’. The Belgradian theatre maker Bojan Djordjev presents Marxist writings on the class struggle and revolution as a full six-course meal. In this conversation piece the audience eats, reads and discusses with the other guests. No talking with your mouth full though!

A new kind of virtuosity

With The Lichtenberg Figures, the Austrian composer Eva Reiter and Ictus will perform the premiere of a concert inspired by the Book of Ayres, a format from the late Renaissance. Immerse yourselve in Reiter's musical universe and discover a new kind of virtuosity.

 

December at the Kaaitheater:

ANNE TERESA DE KEERSMAEKER/ROSAS
Die Weise von Liebe und Tod des Cornets Christoph Rilke
2 > 5/12 | dance | Belgian premiere

RIMINI PROTOKOLL | Home Visit Europe | 8 > 20/12 | theatre
choose your language | Belgische première | location: at living rooms across Brussels

ABKE HARING/TONEELHUIS Unisono | 4 > 5/12 | theatre | Kaaistudio's

GUY CASSIERS/TONEELHUIS | Caligula | 10> 12/12 | theatre 

ICTUS/EVA REITERThe Lichtenberg Figures | 15/12 | music | premiere

BOJAN DJORDJEV | The discrete charm of marxism | 15/12 (EN) > 16/12 (NL)
Belgian premiere | Kaaistudio's

SIMON ALLEMEERSCH/GLOBE AROMADe brievenschrijver/Letter home | 17 > 19/12
theatre | NL+FR | premiere | Kaaistudio's

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About Kaaitheater

Stage

Kaaitheater is a stage for dance, theatre, performance, music and debate in Brussels. Founded in 1977 as a pioneer of innovative performing arts, this house has grown into a platform for both work by artists of the Flemish Wave and new generations of performing artists. From Brussels to international, from small to large venues, and just as well in the squares and the streets, where urban and global themes are tangible.

Motto

Under the motto How to Be Many?, the Kaaitheater team makes room for a broad spectrum of stories, perspectives, artists and audiences, so we can learn to better reflect the city's many voices. That we do in cooperation with many partners.

Places

Currently, Kaaitheater’s building on the Sainctelettesquare will be under renovation. We will move into our new building in 2025 and that will give us an additional auditorium as well as a city balcony and spaces for artists and audiences, all of which will give the new urban arts centre on the canal its identity. In the meantime, we will continue to perform in Kaaistudio's, and we will be on the move through the city and briefly make use of at 14 many theatres and partners in and around Brussels, with whom we will present a multifaceted programme.

(In) practice

Looking towards the future, Kaaitheater will continue to develop new lines of participation and mediation so that we can introduce new generations of audiences to contemporary performing arts. We invite organisations and groups that still are underrepresented on the Brussels stages to create their own artistic programmes. This allows us to open the way for co-ownership of artists and audiences.

Kaaitheater moves with the times, stimulates social and artistic debates and embraces the pluriform performing arts of today and tomorrow.

Kaaitheater
Rue Gallaitstraat 20
1030 Schaerbeek